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Only Trying To Help [CD]
Only Trying To Help
X's & O's
Kill My Confidence
Future Reservation
The Imposter
In The Sea
Better Off
Not On My Watch
10 Must Be Friday Night
11 And I Worry

Ryan's patented rock jumpRyan Ferguson


"Ferguson's mastered the songwriting game..." - Pitchfork
- Transform Online
"a shimmering effort that's among this season's best guitar-pop albums." - Aversion
By balancing both his pop sensibility with an edgier rock sound, Ferguson has tapped into that perfect medium between pop and punk, without explicitly being pop-punk. Bravo. - Treble Zine
"The album shows his love of hook-filled power pop and aggressive modern rock; influences range from Jellyfish to Wire."  Listen to Ryan talk about the song "Remission"!
- Ryan on NPR "Open Mic"
"Ferguson is once again showcasing his impressive range as a songwriter and musician. With his latest release, Only Trying to Help, Ferguson is crafting music that is familiar, but in a comforting and uncontrived fashion." - Amplifier
"His attention to hooks paired with an intensity, just this side of his No Knife days, make for an entirely re-listenable record. "Only Trying To Help" is what "pop-punk" should be." - 3Hive
" punky guitar riffs that are punctuated with sweet xylophone sounds to create a really sophisticated album." - Sign On San Diego
If you're a fan of indie rock's recent past, then you're familiar with the work of guitarist and singer/songwriter Ryan Ferguson.  Ferguson has been a lynchpin of the San Diego music community since his high school days.  He first came to international attention in 1995 with his band No Knife.  This seminal Southern California band toured throughout the world with prominent rock acts such as Jimmy Eat World, Cursive and Sunny Day Real Estate.  Influencing many burgeoning artists of the time, No Knife earned four San Diego Music Awards before their untimely break up in 2003.

Going solo, Ferguson issued the acoustic based Three, Four in 2005.  Self-released and supported by a U.S. tour with Switchfoot, the five-song EP sold thousands of copies through mail order and touring.  The album's lead track, Suddenly, was interpreted for The Sims 2 (Electronic Arts) and swiftly added to regular rotation at San Diego's trendsetting 91X and Indie 103.1 Los Angeles.  Three, Four scored a San Diego Music Award for ‘Best Pop Album', with a tight collection of songs that set the bar even higher for future albums.

Ferguson's latest work is the culmination of a lifetime of influences. With Only Trying to Help, he expands his sonic palette and pop sensibilities, but loses none of his intensity.  A lifelong San Diegan, Ferguson grew up in the 80's. He was a songwriter by the time he hit 7th grade, having absorbed the music of previous decades. "I was way into The Boss when I was a kid," laughs Ferguson, "And my uncle made me an instant Beatles fan by the time I was 12."

Fans of hook-filled songwriting in the grand tradition of Jellyfish and Brian Wilson on one end, and Wire or Superchunk on the other, will find Only Trying to Help essential listening.  Ferguson has crafted a unique sound full of swirling acoustic six strings, double tracked vocals and chimes, all fused with his signature bombastic electric guitar.  The effect is breathtaking as he wrings every last bit of melody out of each song.  Over a year in the making, Only Trying to Help hits a little harder emotionally than Ferguson's past projects.  A glance at the lyric sheet shows some heavy times indeed, but the pop edge of the tunes keep them from being melancholy.

"Because of the delicate subject matter, my goal was to write a real powerful record.  One that people won't forget too easily."  Ferguson succeeds.  Despite a glossy pop edge and solid hooks throughout, the songs contain an intimacy that's quite affecting.

In addition to producing, Ferguson plays nearly every instrument on Only Trying to Help, including drums on In the Sea.  Now known as a fiery guitarist, Ferguson was originally a drummer. "I really got into Rocket from the Crypt," says Ferguson, explaining the switch, which saw him helming No Knife through four albums.  Inspired by guitarists such as John Reis and aMinature's John Lee, Ferguson blazed a trail of manic post punk rock ‘n' roll lasting nearly a decade.

"I've always written pop music, so these songs aren't too far off from what I've always done," remarks Ferguson.  And while his analogy might ring true on an anthemic rocker like Remission, the string and harmony-laden ballad Must be Friday Night shows a real progression in song craft.  "I'm always thinking about new melodies.  That's why I keep a little digital recorder handy."